Research Focus

• Modern and Contemporary Art Histories

• Artistic Research - in practice, education and across disciplines exploring the post-Colonial

• The future of graduate art education: designing new MFA and PhD programs

• Site-specific and Interdisciplinary Art

• Transcultural Collaboration between Universities

• Academic Coaching

Education

Post-Doctorate (2017) School of Art and Communications, University of São Paulo, Brazil

Doctor of Philosophy (PhD, 2012), Faculty of Art, Environment and Technology, Leeds Metropolitan University, UK

Masters in Fine Art (2001), Musashino Art University, Japan Monbusho Award, Tokyo, Japan

Master of Arts (1997), Fine Art, Goldsmiths, University of London, London, UK

Master of Science (1988), Faculty of Economic and Social Sciences, Boston University and Vrije Universiteit Brussels, Belgium

Bachelor of Fine Arts (1996, Honours, 1996), Central Saint Martins College of Art and Design, University of the Arts, London, UK

Bachelor of Arts (cum laude, 1986), Boston University, Boston, MA

Other Education

Columbia University Visiting Scholar and Scientist Program, Columbia University, New York, USA

Studio Masterclass, James Rosenquist, Guggenheim Museum, New York, USA

Visiting Scholar, Ecole Nationale Superieure des Beaux-arts, Paris, France

Visiting Scholar, Taiwan Ministry of Education Huayu Scholar National Cheng Kung University, Tainan, Taiwan

Curricula and Syllabi

Modern and Contemporary Art Histories 1900 to Present

Site Specific Practices - engaging performance with environment.

Evolving Boundaries: Environmental Art from the 1960s to present [syllabus] 

Building Museum Leadership: Coaching Practices in the Creative Industries [workshop]

Supervision and mentorship on MFA and PhD programs in Fine Art [syllabus]

Doctoral Supervision in practice-based research [syllabus]

Curricula and Syllabi in development

Emerging the New Art School: Programs that interface the artist [curriculum] 

Models for Developing a Contemporary Program and School in Asia [curriculum] 

New Global: Contemporary art and border, identity and the new territorialization of public spaces [panel]

Engaging the contemporary artist with professional practices for long term critical development [workshop and panel] 

Parallel critical developments between the East and West from Modernism to Contemporary [syllabus] 

Engaged Critique in Contemporary art: expanded concepts of installation [tutorial/critique]

Searching for alternatives to the Modern, Contemporary and the Post-Post Modern: Relocating creative practice [syllabus] 

Awards

2022 Fulbright-Nehru Academic and Professional Excellence Award (US Department of State)

2020 US Department of State, Bureau of Education and Cultural Affairs Grant for Colombia

2019 US Department of State, American Arts Incubator ZERO1: Art and Technology Artist 

2017 Fulbright Hays US Public Diplomacy China Award

2017 CEC ArtsLink Foundation Grant, St. Petersburg, Russia

2017 Taiwan Ministry of Education (MOE) Language Scholar National Cheng Kung University

2017 Renmin University of China Merit Award for Teaching

2016 Wheatley Foundation Fellow, Birmingham City University, UK

2016 US Department of State Field Research Fellow, American Center for Mongolian Studies

2015 Fellow ,University of the Arts London Research Center on Transnational Art, Identity and Nation

2014 Fulbright Hays US Public Diplomacy Award for Mongolia

2014 CEC ArtsLink Foundation Grant for Mongolia

2009 Queenstown Council, Singapore Citation Award, Singapore

2009 Edwin Austin Abbey Fellowship, National Design Museum, New York

2009 Bauhaus Foundation Fellow, Dessau, Germany

2008 The Nordic Artists Center Fellowship, Norway 

2001 Musashino Art University Selection Award

2001 Japanese Ministry of Education and Culture Scholar (Monbusho) (1998-2001) 

1998 Japanese Ministry of Education and Culture Japanese Language Scholar (1997-1998)

1996 Academic Honours, Central Saint Martins College of Art, London

1995 Erasmus Scholarship, Ecole Nationale Superieure des Beaux-arts, Paris

1995 King Sturge Award for Sculpture, London

Conferences

ISEA International Symposium of Electronic Art, Asia Culture Center, Gwangju, Korea

Session-Chair, ProjectAnywhere Conference, Parson School of Art, New School, New York. (2018) 

Plenary Keynote Speaker on PhD research, School of Art, Peking UNiversity, Beijing (2018) 

Artist-centric practices within the museum, Museum2050, Long Museum, Shanghai (2018)

Co-Chair, Young Researcher Conference, Mongolia (2016)

International Committee, College Art Association conference (2015-present)

Japan Startup NYC, Microsoft, New York (2016)

Presidents Forum on Higher Education, Teachers College, Columbia University, New York (2016)

Keynote Speaker, Young Researcher Conference Mongolia

National University of Education and the American Center for Mongolian Studies (2015)

Royal Geographical Society Conference, London (2013)

Editorial Committee, ProjectAnywhere Conference, Parsons/ New School, New York (2015)

Panelist, Artists’ Workspaces: Portability, Contingency, Virtuality, 

College Art Association conference, Chicago (2014)

Panelist Going Beyond: Art as Adventure (CAA, Washington, DC) (2018) 

European League of Institutes in the Arts (ELIA) conferences, Seoul (2012) and Vienna (2013).

Selected Publications, Studies and Research

Diversity, Equity and Creative Practices in South Asia (2022) Jawaharlal Nehru University, New Delhi, India

Reclaiming Artists Research (journal review, 2020), Journal for Artistic Research, Basel

“The Artist-centric model in museums” in Looking to New Institutional Models: China’s Cultural Landscape by Mid-Century, Ching, N and Tanner, L, (eds), Long Museum, Shanghai (2019)

Emerging models for teaching, New York: Critical Practices (2019)

“The Artist as Explorer,” in Going Beyond: Art as Adventure (2018) O’Neill et al (eds.), Newcastle, UK: Cambridge Scholars.

Interfacing Technology with Site (2019) ISEA International Symposium of Electronic Art, Korea

DrawnOver: Contemporary Drawing, Vojvodina, Serbia: Museum of Contemporary Art [catalogue]. (Joynes and Vu, 2018).

“FormLaboratory: Geographically Dispersed Performance in Brazil (2012-2013) and Mongolia (2014)” Sao Paulo, Brazil: Escola de Comunicações e Artes, Universidade de São Paulo [post-doctoral thesis]. 

Anywhere v.1. (2015). Lowry, S. and Douglas, S. (eds.),Melbourne, Australia: University of Melbourne and New York: Parsons School of Art, Media and Technology, Parsons, New School for Design, New York. 

“FormLAB: Exploration and Fieldwork” Washington D.C.: College Arts Association Conference (2016).            

Les Joynes and Thomas Vu in Interview” in Draw: Artists from China at  Inside Out Art Museum, New York: LeRoy Neiman Foundation [catalogue].    

“FormLaboratory” in Art and Research at the Outermost Limits of Site Specificity (2014) Lowry, S and Douglas, S. (eds.). Newcastle, Australia: Univ. of Newcastle. Joynes, L. (2014).“Nomadic and Geographically Dispersed Practice,” Chicago: College Arts 

New Institutional Models: China’s Cultural Landscape by Mid-Century, Long Museum, China (2018)

Going Beyond: Art as Adventure, O’Neill, R et al (eds), Cambridge Scholars, UK (2018)

“The Invisible and the Transvisible in contemporary art in Singapore,” in Octopus, Journal for Visual Culture: University of California, Irvine

"Multi-spatial Performance: at Bauhaus-Dessau, November 2008:  Record Dances, Bühnenstudios der Stiftung Bauhaus Dessau [Internet].

Taking the LEED: Examining the costs and benefits of environmental efficiencies,  New York (2007)

“Intelligence, technologies and applications to genomics” Legislation of genetic testing in the US and Iceland: Legislative Implications and strategies, Tokyo, Japan

Ethics and Genetic population testing - engineering best practices in the US and Iceland (2004)

Bringing Intelligence to the technological interface between technology and interface in Japan (2003)  

Clinical research development in human aging sciences, Tokyo, Japan (2003)

The Human Genome: Areas of Light and Shadow (E.Kon et al, Shokabo Publishing, Tokyo 2001)

“Some Say They Did: Some Say They Didn’t, Contemporary Art of Yoshitomo Nara at Ginza Art Space” New York: Art in America.

“The New Pathetic. Contemporary British art in the 1990s,”Vienna: Springer.

Scientific Journal Editing, Tohoku University, Japan.   

”Managing The Technology Transfer Process: The Parallel Learning Mechanism (with A. Shani) , Seoul: Dankook University Press.

The New Pathetic: Contemporary Art in London, Springer [magazine], Hamburg, Germany (1997)

“Emerging materials applications in sound: use of polycarbonates and semiconductors for digital audio” Brussels (1991) 

Joynes et al (1991) “Resourcing Tetra-butyl hydro-peroxide for radical polymerization Initiators, Brussels.

Competitive Strategies in Fiber-optic technologies, Brussels (1990)        

”Radiative mineral spectrometry and refraction technologies,” Brussels (1990)      

“Petroleum and derivatives competitive Analysis:Europe,” Brussels (1990)

“Introducing eco-recyclables into manufacturing” Brussels (1990)

“Post-Graduate Management Education Programs, Boston University (1987)

Juries and Editorial Boards

CEC ArtsLink Jury Reviewer for Artists, New York (2021)

CEC ArtsLink Jury Reviewer for Art Managers, Curators, New York (2021)

Editorial Board Member for ProjectAnywhere [journal] University of Melbourne and Parsons School of Art, New York (2015-preent)

Art and Anthropology Committee, Royal Anthropological Institute of Great Britain, London (2020-present)

Nordic Artist Center, Selection Committee, Norway (2008)

Harlem Arts Alliance Grant Selection Jury, New York (2010)

Teaching Graduate (PhD) 

2020-pres PhD Fine Art Tutorials and Coaching, Victorian School of the Arts, University of Melbourne, Australia

2015 PhD Masterclass on Doctoral Research and Fieldwork, Chelsea College of Art and Design, University of the Arts London, UK

Teaching Graduate (MA, MFA) 

Beyond Pedagogy (2021) a workshop for future university art educators, School of Arts & Aesthetics, Jawaharlal Nehru University, New Delhi

Academic Careers in the Arts - Individual Pathways (upcoming coaching workshop for postgraduates)

Artmaking through Pandemic. (2020-present) Coaching to MFA students (Individual teaching), Columbia University School of the Arts

Strategies for Global Leaders: Coaching to MBAs and EMBA students (Individual teaching) (2020-present)

Entrepreneurship in the Arts: Creating Museums of the Future (seminar) (2018), Peking University Institute for Cultural Industries, Beijing

US-China Collaboration in Practice with students from China Academy of Fine Arts (2018) Fulbright US Public Diplomacy Award

American Modern and Contemporary Art History (undergraduate and graduate) Professor of Record 2013-present). Renmin University of China, Beijing. Professor of Record (2013-present) 

Experimental Art and New Media (undergraduate and graduate). (Professor of Record, 2018-present) Renmin University of China, Beijing

RA Studio Tutorials, Royal Academy of Art, London, UK (2015)

MA Fine Art Studio Tutorials, Chelsea College of Art and Design, University of the Arts London (2015)

MA Fine Art Studio Tutorials, University of Lincoln, Lincoln, UK (2015)

MA Fine Art Studio Tutorials, University of Coventry, Coventry, UK (2015)

MA Tutorials, Leeds Metropolitan University, Leeds, UK (2011-2012)

MFA Studio Tutorials, Columbia University School of the Arts (2008-2009) 

Artist Residencies

Inside Out Art Museum, Beijing (2018) 

CEC-Arts Link, St. Petersburg, Russia (2017)

Fundação Armando Alvares Penteado, São Paulo, Brazil (ResArtis, 2013)

Seoul Foundation for Art and Culture, Seoul, Korea (ResArtis, 2012)

FormLAB, Brazilian Museum of Sculpture (2012) 

Treignac Projet, France (2010)

Toosneger Foundation-Dordrecht Printmaking and Painting Residency, Holland (2008) 

Abbey Fellowship in Public Art, National Academy Museum, New York (2009)

Nordic Artists Center (NKD), Dalsasen, Norway (ResArtis, 2008)

Nagasawa Woodblock Printmaking Fellowship, Awaji, Japan (2006)

Poznan Summer Academy Residency, Poznan, Poland (1993 and 1994)